Antonio Pollaiuolo

1431-1498 Italian Antonio Pollaiuolo Galleries Sculptor, painter, designer and engraver. He was trained as a goldsmith and bronze sculptor, probably in Lorenzo Ghiberti workshop. In 1466 he joined the Arte della Seta, the silkworkers guild (to which goldsmiths traditionally belonged), and he listed himself as a goldsmith and painter in the membership records of the Compagnia di S Luca in 1473; this is the only documented reference to him as a painter. In his tax return in 1480 he reported that he was renting a workshop specifically for goldsmiths work. He still described himself as a goldsmith, and not as a painter, in his last tax return in 1496.


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Antonio Pollaiuolo Apollo and Daphne oil


Apollo and Daphne
Painting ID::  31370
Apollo and Daphne
nn07 c1470 National Gallery, London
nn07 c1470_National_Gallery,_London
   
   
     

Antonio Pollaiuolo Apollo and Daphne oil


Apollo and Daphne
Painting ID::  42880
Apollo and Daphne
mk170 1475-1480 Oil on wood 29.5x20cm
mk170 1475-1480 Oil_on_wood 29.5x20cm
   
   
     

Antonio Pollaiuolo Hercules and Antaeus Time oil


Hercules and Antaeus Time
Painting ID::  44428
Hercules and Antaeus Time
c. 1478 Tempera on wood, 16 x 9 cm
c._1478_ Tempera_on_wood,_ 16_x_9_cm
   
   
     

Antonio Pollaiuolo Martyrdom of St Sebastian oil


Martyrdom of St Sebastian
Painting ID::  44429
Martyrdom of St Sebastian
1473-75 Panel, 292 x 2023 cm
1473-75_ Panel,_ 292_x_2023_cm
   
   
     

Antonio Pollaiuolo Battle of Ten Nudes oil


Battle of Ten Nudes
Painting ID::  52338
Battle of Ten Nudes
1470s Engraving, 428 x 618 mm
1470s_Engraving,_428_x_618_mm
   
   
     

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     Antonio Pollaiuolo
     1431-1498 Italian Antonio Pollaiuolo Galleries Sculptor, painter, designer and engraver. He was trained as a goldsmith and bronze sculptor, probably in Lorenzo Ghiberti workshop. In 1466 he joined the Arte della Seta, the silkworkers guild (to which goldsmiths traditionally belonged), and he listed himself as a goldsmith and painter in the membership records of the Compagnia di S Luca in 1473; this is the only documented reference to him as a painter. In his tax return in 1480 he reported that he was renting a workshop specifically for goldsmiths work. He still described himself as a goldsmith, and not as a painter, in his last tax return in 1496.

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